Tag: first drafts

January 9, 2017

 

It’s on to Draft #2.5 for me! Time for revisions, revisions, and more revisions. I’m certain I’m not the first, and I definitely won’t be the last, to tell you how important revising and editing your drafts are.

 

For the longest time though, moving past the first draft was the hardest part for me. I could write first draft after first draft (NaNoWriMo had trained me well), but would never revisit the story after I’d typed “The End.” And if the goal is to be published one day, you cannot stop after “The End.” There is so much more work to do!

 

Part of that work, once you feel comfortable, is to ask for feedback. And that’s what I want to share with y’all today. Below is the note I sent my first reader, detailed what they can expect, where I’d like them to focus, and any expectations I have regarding a review. (Don’t forget to profusely thank your friends for willingly reading a draft not in its best version! And if they’re also writers, volunteer to do the same for them when they’re ready!)

 


 

Note to Start

This is a first draft, which means you will find:

    • Typos
    • Rhythm/flow issues
    • Tense changes
    • Other grammar problems

I don’t want you focusing on these things, though! (At least, not right now…!)

If you’re like me, and it’s just TOO MUCH to not correct something, just mark through it! I’ll read over all of your notes and can figure it out.

The reason I encourage not focusing attention on grammatical errors is because this is the easiest change to make! I need your help on the BIG things. Which leads me to…

 

Where to Focus

  • Plotting
    • Do you like the plot? Do some scenes need more explaining? Do some scenes not make any sense? Do you just plain not like a scene (as a reader)? Do the subplots fit in the main plot, and add to it?
  • Pacing
    • Not to be confused with rhythm/flow of each individual sentence
    • This is a bigger view. Does the pacing make sense within the chapter? Across a series of chapters? Not enough ramp-up to big events? Too much ramp-up and then the actual event happens too quickly? That kind of thing!
  • Character Development
    • This goes for main characters to supporting/minor characters
      • Believability?
        • Could there actually be someone like this? If not, is it at least amusing/add to the story?
      • Likability?
        • This is especially important for main characters! They need to be rooted for or, at least, something felt for them. Most important (to me) is that they’re not annoying.
      • Consistency?
        • Does this decision make sense for this character?
      • Growth?
        • Do the characters seem like they’ve grown over the course of the story?
      • Dimensionality?
        • This is a first draft, so I know there will be plenty of issues with this, especially in more minor characters!
  • Story Arcs
    • Main plots and subplots
      • Are there enough subplots? Do the subplots make sense within the story? Could you have guessed how the story was going from the beginning?
  • Major Inconsistencies
    • Were major or minor plot points abandoned? Did one character say something only to contradict it, without explanation, later? Does something just NOT MAKE SENSE?
  • Additions/Deletions
    • Do you see a place for the story to expand? Were you curious about something that wasn’t in the first draft, but you think should be? Were there scenes that could have been longer? Conversely, were there scenes that didn’t move the plot forward or seemed unimportant?
  • YOUR OPINION/OTHER IMPORTANT THINGS
    • Does the writing style come through? (Since I’m writing from first person, can you tell that the Main Character has a clear VOICE)?
    • What do you think of the work as a whole, after finishing? Were all of your questions answered? Was everything tied together well enough? Since I imagine this as a sequel, would you be okay with the ending enough even though you have to wait a year for the next one (or does it seem like it could “stand alone” for a period of time)?
    • Is this story marketable? Who do you think will read this/who would you recommend this to?

Comment Frequency

Feel free to take notes whenever or wherever you want, but my expectations are just a few notes at the end of each chapter and then maybe a written page-length at the end of the story to summarize your feelings and answer the questions above. They can be real quick jots and I’ll follow-up, if needed.

 

Finally,…

You da best!! Thank you so, so much for agreeing to read my “zero/first” draft! I value your opinion and really appreciate you taking the time to look over this. I hope it’s the first of many! <3

 


 

Okay, there you have it! This gives your reader plenty to focus on, and a much better idea of what kind of feedback you’re hoping to receive than “just read it and tell me what you think, mmkay?” Good luck to everyone working on their first/second/third/millionth draft! We’ve got this!

 

What has been the hardest part for you? Hitting “The End”? Revising? Draft #10? Querying? Let me know!

October 7, 2016

 

PRO: You’re writing a story with your best friend.

CON: You’re writing a story with your best friend.

 

It’s hard, man. (But can be so, so worth it.)

big-ben

Story time! My best friend and I met years ago, while we were studying abroad. We got lost together in London and bonded over our early love of Meg Cabot, author extraordinaire, while we unsuccessfully navigated the Tube. (We accidentally happened upon Big Ben, which is an amazing feat seeing how huge it is (above), and had a great conversation with a police officer on the best place to get a pint.) We became friends after I was already pretty involved in our local NaNoWriMo group and had created the writing organization at our university, but she joined in both once we were back home!

 

Fast forward four years, and it just seemed natural to write a book together. We like to read the same genres, more or less. (I tend to lean more into sci-fi and she leans more into contemporary, but otherwise the same.) I’m not even sure how the conversation came about, but soon enough we were sitting down at our favorite bubble tea haunt and plotting a New Adult novel! (The picture below is actually from our first brainstorming session! The terrible penmanship is mine…)

Brainstorming

As of a few weeks ago, we officially finished our first draft! We’ve even received feedback from our lovely first reader (check out his blog here)!

 

While the overall experience has been nothing short of UH-MAZING, there are still some arguments against (and for, I’ll talk about those, too) co-writing a story with your best friend, such as…

 

CON: As with co-writing anything, agreeing on direction/character motivations/subplots/etc. can be a challenge. This is harder with your friend, whom you likely haven’t worked as closely with as you will when writing a novel, and whom you may be completely disagreeing on a number of things with for the first time.

SOLUTION: Both writers need to practice give-and-take. If your friend staunchly opposes one character trait for your MC, and you only kinda don’t care, go ahead and go with what your friend wants. And vice versa! As your plotting, make a list of these things and check at the end, so that one friend isn’t being steam-rolled in the decision-making choices.

Another good solution is, depending on the story, splitting the characters each person writes and is responsible for. If you can agree on the plot, then each person has their respective characters to do with what they please (within reason).

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September 27, 2016

reading-slump

I’m sure we can all agree on something: reading slumps suck. And at some point, they’re kind of embarrassing, right? I mean, we’re readers. Reading is what we do.

It’s not just one of our favorite pastimes, it’s a sort of identifier. We gravitate toward other people at parties who are talking about the most amazing book they just read (assuming we’ve been dragged to a party, because we’ve been in our homes reading too much and our friends are worried about our health, obviously). We sometimes decide we want to be writers, to create books that we aren’t currently reading but would want to. We make lists about books we can’t wait to read, and we have a TBR list so long we’ll never be able to complete it.

I mean, there’s article upon article upon article about how to get yourself OUT of a reading slump.

What about when you can’t, though? That’s where I’m at.

Technically can’t isn’t the right word. I could. I’m not incapable of picking up a fiction book, per se. But I’m on a sabbatical from fiction.

A forced reading slump.

And let me tell you, it sucks.

You might be thinking, if something sucks so much, why would you bother doing it?

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